Jill Lepore

A cultural history of Wonder Woman traces the character's creation and enduring popularity, drawing on interviews and archival research to reveal the pivotal role of feminism in shaping her seven-decade story

Many historians and cultural observers argue we live in a post-truth world-but if truth is dead, who killed it? And how did it die? Join celebrated historian Jill Lepore as she cracks the case by examining key moments in the history of truth, doubt, and evidence across the last century. In Who Killed Truth? acclaimed Harvard historian and New Yorker staff writer Jill Lepore traces the origins of our current post-truth crisis. In a series of spellbinding...

"From one of our most accomplished and widely admired historians--a revelatory portrait of Benjamin Franklin's youngest sister, Jane, whose obscurity and poverty were matched only by her brother's fame and wealth but who, like him, was a passionate reader, a gifted writer, and an astonishingly shrewd political commentator. Making use of an astonishing cache of little-studied material, including documents, objects, and portraits only just discovered,...

Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline...

"A history of American ideas about life and death includes coverage of topics ranging from the 17th-century Englishman who investigated a belief about life starting with eggs and the heated debates over Darwin's evolutionary findings to the role of the Space Age in changing views on planetary life to the 1970s trends in cryogenics." --Publishers description A history of American ideas about life and death from before the cradle to beyond the grave....

Harvard historian and New Yorker staff writer Jill Lepore investigates American origin stories -- from John Smith's account of the founding of Jamestown in 1607 to Barack Obama's 2009 inaugural address -- to show how American democracy is bound up with the history of print.

Set in boisterous Boston on the eve of the American Revolution, Blindspot is at once fiction and history, mystery and love story, tragedy and farce. Peopled not only with the celebrated Sons of Liberty but also with revolutionary Boston's unsung inhabitants, it tells the story of Scottish painter Stewart Jameson and his spirited apprentice, Fanny Easton, a fallen woman who has disguised herself as a boy, Francis Weston.

When Boston's revolutionary

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"Women, whether subtly or vociferously, have always been a tremendous power in the destiny of the world," Eleanor Roosevelt wrote in It's Up to the Women, her book of advice to women of all ages on every aspect of life. Written at the height of the Great Depression, she called on women particularly to do their part--cutting costs where needed, spending reasonably, and taking personal responsibility for keeping the economy going. Whether it's the recommendation...

Taken with a 35mm camera by Paul McCartney, these largely unseen photographs capture the explosive period, from the end of 1963 through early 1964, in which The Beatles became an international sensation and changed the course of music history.

This glorious book of photography, featuring more than 200 magnificent National Geographic images of all 50 states, is a gift-worthy celebration of America's unique natural and cultural treasures. America the Beautiful showcases the stunning spaces closest to our nation's heart--from the woods in the Great Appalachian Valley that Davy Crockett once called home to the breathtaking sweep of California's Big Sur coast to the wilds of Alaska. It also...