Liberation Memories: The Rhetoric and Poetics of John Oliver Killens
(eBook)

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Published
Wayne State University Press, 2003.
ISBN
9780814339107
Status
Available Online

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Format
eBook
Language
English

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APA Citation, 7th Edition (style guide)

Keith Gilyard., & Keith Gilyard|AUTHOR. (2003). Liberation Memories: The Rhetoric and Poetics of John Oliver Killens . Wayne State University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Keith Gilyard and Keith Gilyard|AUTHOR. 2003. Liberation Memories: The Rhetoric and Poetics of John Oliver Killens. Wayne State University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Keith Gilyard and Keith Gilyard|AUTHOR. Liberation Memories: The Rhetoric and Poetics of John Oliver Killens Wayne State University Press, 2003.

MLA Citation, 9th Edition (style guide)

Keith Gilyard, and Keith Gilyard|AUTHOR. Liberation Memories: The Rhetoric and Poetics of John Oliver Killens Wayne State University Press, 2003.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID5d3c55cb-1be6-d464-0470-af925883c0eb-eng
Full titleliberation memories the rhetoric and poetics of john oliver killens
Authorgilyard keith
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-06-14 22:59:47PM

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Last UsedMay 30, 2024

Hoopla Extract Information

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    [synopsis] => No serious history of the development of the African American novel from the 1950s onward can be written without reference to John Oliver Killens. A two-time nominee for the Pulitzer Prize and founding chairman of the legendary Harlem Writers Guild, Killens was regarded by many as a spiritual father who inspired a generation of African American novelists with his politically charged works. And yet today he rarely receives proper critical attention. Seeking to strengthen our understanding of this important literary figure, Keith Gilyard departs from standard critical frameworks to reveal Killens's novels as artful renderings of rich African American rhetorical forms and verbal traditions.

Gilyard finds that many critics, adhering to ideals of art for art's sake or narrative conciseness, are ill-equipped to appreciate the many ways in which Killens's fiction succeeds. Rejecting the "pure art" position, Killens sought to articulate Black heroism particularly within a family or community context, offering a set of values he deemed liberatory. He focused on rendering noble and polemical characters, and his work represents a distinguished fusion of sociopolitical persuasion (rhetoric) and literary artifact (poetics).
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