Intersecting aesthetics : literary adaptations and cinematic representations of Blackness
(Book)

Book Cover
Published
Jackson : University Press of Mississippi, [2023].
ISBN
9781496848840, 1496848845, 9781496848857, 1496848853
Physical Desc
x, 277 pages : illustrations ; 24 cm
Status

Copies

LocationCall NumberStatus
Cambridge - New Books791.43 IntersectingOn Shelf

More Details

Published
Jackson : University Press of Mississippi, [2023].
Format
Book
Language
English
ISBN
9781496848840, 1496848845, 9781496848857, 1496848853

Notes

Bibliography
Includes bibliographical references and index.
Description
"Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions. Several chapters analyze how self-censorship and industry censorship affect Black writing and the adaptations of Black stories in early to mid-twentieth-century America. Using archival material, contributors demonstrate the ways commercial obstacles have led Black writers and white-dominated studios to mask Black experiences. Other chapters document instances in which Black writers and directors navigate cultural norms and material realities to realize their visions in literary works, independent films, and studio productions. Through uncovering patterns in Black film adaptations, Intersecting Aesthetics reveals themes, aesthetic strategies, and cultural dynamics that rightfully belong to accounts of film adaptation. The volume considers travelogue and autobiography sources along with the fiction of Black authors H. G. de Lisser, Richard Wright, Ann Petry, Frank Yerby, and Walter Mosley. Contributors examine independent films The Love Wanga (1936) and The Devil's Daughter (1939); Melvin Van Peebles's first feature, The Story of a Three Day Pass (1967); and the Senegalese film Karmen GeiÌ⁸ (2001). They also explore studio-era films In This Our Life (1942), The Foxes of Harrow (1948), Lydia Bailey (1952), The Golden Hawk (1952), and The Saracen Blade (1954) and post-studio films The Learning Tree (1969), Shaft (1971), Lady Sings the Blues (1972), and Devil in a Blue Dress (1995)"--,Provided by publisher.

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Citations

APA Citation, 7th Edition (style guide)

Regester, C. B., Baron, C., Scott, E. C., Francis, T. S., & Vander, R. G. (2023). Intersecting aesthetics: literary adaptations and cinematic representations of Blackness . University Press of Mississippi.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Charlene B. Regester et al.. 2023. Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness. University Press of Mississippi.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Charlene B. Regester et al.. Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness University Press of Mississippi, 2023.

MLA Citation, 9th Edition (style guide)

Regester, Charlene B., et al. Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness University Press of Mississippi, 2023.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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