The Death of Picasso: New & Selected Writing
(eBook)

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Published
Open Road Media, 2015.
ISBN
9781504019613
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Guy Davenport., & Guy Davenport|AUTHOR. (2015). The Death of Picasso: New & Selected Writing . Open Road Media.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Guy Davenport and Guy Davenport|AUTHOR. 2015. The Death of Picasso: New & Selected Writing. Open Road Media.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Guy Davenport and Guy Davenport|AUTHOR. The Death of Picasso: New & Selected Writing Open Road Media, 2015.

MLA Citation, 9th Edition (style guide)

Guy Davenport, and Guy Davenport|AUTHOR. The Death of Picasso: New & Selected Writing Open Road Media, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID4fb06254-84d9-1544-8615-b1282bfb51f0-eng
Full titledeath of picasso new and selected writing
Authordavenport guy
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-06-26 22:33:06PM

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Image Sourcesyndetics
First LoadedSep 23, 2023
Last UsedJun 22, 2024

Hoopla Extract Information

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    [synopsis] => A collection of essays and stories showcasing one of America's most insightful thinkers at his best Featuring both short stories and critical pieces, The Death of Picasso exhibits the versatility and innovative thinking that drives all of Guy Davenport's work. As a critic, he takes on topics such as Ruskin's life and influences and Benson Bobrick's history of English versions of the Bible, through which Davenport explores how translation has affected the text's interpretation for centuries. Both his fiction and essays contribute to the eternal conversation on how the arts reflect, inform, and influence the human experience.   In his short stories, Davenport vividly evokes entire worlds-such as that of a regatta on the Thames or an air show in Northern Italy-with an eye for telling details that typically go unnoticed. Fact and fiction combine and shift forms throughout the collection, for instance, in "The Concord Sonata" when the author manipulates time and space to put thinkers like Thoreau, Wittgenstein, and W. E. B. Du Bois in conversation. Davenport's uninhibited imagination and singular gaze reveal both the commonplace and the sublime in a new light.
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